Happy New Year to all of you who use the Gregorian calendar! I just got back from Tangier, where today is just another day except for all the fireworks on the news. I had a nice two-week writing retreat that I'll tell you about in the next post. Right now it seems like a good time to take stock of my writing career and where I'm going.
As I predicted in a year-end post last year, 2014 was my fiction year. I published four novels and two novellas, evenly split between my Toxic World post-apocalyptic series and my World War One Trench Raiders action series. I also wrote some short stories and got a couple accepted.
Nonfiction has been doing OK as well. I'm currently under contract for another military history book with Osprey Publishing, done pretty well with getting writing gigs on Elance, and broke into a couple of new magazine markets. Being a full-time freelancer is always a struggle, though.
So what's in store for this year? I'll be publishing at least two novels in each series, as well as a long-awaited sequel to A Fine Likeness, my Civil War horror novel. There will be a few other goodies coming down the pike too.
I also need to get in gear with promotion. I have yet to figure out how to market my books effectively. This sort of thing doesn't come naturally to me, and I don't want to be "that guy" who's always flogging his books. As a result, I tend to remain more quiet than I probably should. Any advice along those lines would be highly appreciated.
For my writer friends out there, how did your year go? What will you do different in 2015?
Happy New Year!!!
Showing posts with label epublishing. Show all posts
Showing posts with label epublishing. Show all posts
Thursday, 1 January 2015
Monday, 28 July 2014
Why I'm not concerned about my ebooks getting pirated
A few days ago a fellow indie publisherwas fuming on Facebook that a Russian ebook pirate site that had put up all her books without her permission. I checked it and found all of my books up there too, both my indie published fiction and the electronic editions of my military history books written for Osprey Publishing.
This isn't the first time. Radio Hope is on at least two other pirate sites, and Osprey titles get pirated all the time. I used to get mad, but I don't anymore. First off, there's no way to stop it. DRM is easily removed and only acts as an inconvenience for honest readers. I don't bother putting DRM on my books. I'm not going to waste my time chasing down pirate sites and threatening them with legal action either. Yeah, like I'm going to win a lawsuit against some dodgy company in Russia!
Some writers, such as Neil Gaiman, have made the point that piracy is actually a form of free advertising. I'm not sure I'm convinced, but really, if someone goes to a pirate site for his reading material, he's probably not going to cough up money for my books anyway, so in effect I haven't lost a customer. So I'm left in the situation of shrugging my shoulders and not worrying about it. I have more important things to do with my time. Writing, for example.
A lot of indie writers don't share my view. My Facebook friend was irate, as were many of the people on her feed. Several said they contacted the site and were either ignored or (gasp!) were treated rudely. Hello, these people just stole your intellectual property, did you think they'd be apologetic? Now several of them are talking about how to take down the site.
I can't be bothered. There will always be pirates, and it isn't clear how much or even if they reduce sales. I'm going to focus on the one thing about my career I can control--the quantity and quality of my writing.
What do you think about piracy? Drop me a line in the comments section!
Image of the flag of pirate Chrisopher Moody courtesy Wikimedia Commons.
This isn't the first time. Radio Hope is on at least two other pirate sites, and Osprey titles get pirated all the time. I used to get mad, but I don't anymore. First off, there's no way to stop it. DRM is easily removed and only acts as an inconvenience for honest readers. I don't bother putting DRM on my books. I'm not going to waste my time chasing down pirate sites and threatening them with legal action either. Yeah, like I'm going to win a lawsuit against some dodgy company in Russia!
Some writers, such as Neil Gaiman, have made the point that piracy is actually a form of free advertising. I'm not sure I'm convinced, but really, if someone goes to a pirate site for his reading material, he's probably not going to cough up money for my books anyway, so in effect I haven't lost a customer. So I'm left in the situation of shrugging my shoulders and not worrying about it. I have more important things to do with my time. Writing, for example.
A lot of indie writers don't share my view. My Facebook friend was irate, as were many of the people on her feed. Several said they contacted the site and were either ignored or (gasp!) were treated rudely. Hello, these people just stole your intellectual property, did you think they'd be apologetic? Now several of them are talking about how to take down the site.
I can't be bothered. There will always be pirates, and it isn't clear how much or even if they reduce sales. I'm going to focus on the one thing about my career I can control--the quantity and quality of my writing.
What do you think about piracy? Drop me a line in the comments section!
Image of the flag of pirate Chrisopher Moody courtesy Wikimedia Commons.
Monday, 11 November 2013
Publishing is vast!
When I was in Madrid last week I saw a bunch of fellow writers from my old writers group. I had just finished Hugh Howey's Wool and was raving about it. This post-apocalyptic tale was indie published and went on to become a bestseller. Howey signed a juicy print-only contract with a major publisher, keeping control of the ebook rights himself. Smart man. Now there's talk of a film in the works.
I'll be writing a review later in the week so at the moment let me just say it deserves every bit of its success. I was surprised, though, when two writer friends said they had never heard of it. Both of them are science fiction writers, one of them with several publications under her belt. They're both well-read too, and certainly read a lot more in this genre than I do. Yet they hadn't heard of such a major success story. I bet I'm ignorant of many similar blockbuster science fiction novels.
Publishing has become vast. There was once a day when the majority of well-read people were familiar with any particular bestseller. Those days are long past. Now the market is fragmented, with fan bases that often don't overlap and may be entirely ignorant of each other.
How can a writer cut through this horde of new books out there and get noticed? I have yet to figure that out. The standard practice of blogging, tweeting, and networking only seem to go so far. I'm not sure anyone in this new publishing world has really figured out a magic formula.
I know one of the ingredients, though. An awesome book, like the one Hugh Howey wrote. I'm looking forward to reading the sequels.
Sunday, 1 May 2011
Guest Post: Leather armour
Today I'm trading blogs with A.J. Walker, a medievalist and novelist who's just starting a virtual book tour for his first fantasy novel, Roots Run Deep, epublished by Double Dragon. He has a series called Medieval Mondays over at his blog and today I'm blogging over there about Medieval handgonnes. So without further ado. . .In the first chapter of my fantasy novel Roots Run Deep, a team of goblinkin are preparing for a raid on a human city.
Kip was as prepared as she could be. Like anyone who lived on the Reservation, she went armed at all times. Not that she had much. Her tattered leather jerkin gave scant protection, and for weapons she carried a flint knife and a tfaa, a traditional goblin fighting stick. A balanced, two foot-long rod carved from ironwood, the tfaa didn’t look like much, but in skilled hands it could disarm and cripple a swordsman. Prenta had gotten rid of her showy clothes and dressed in a more practical leather jerkin similar to Kip’s.
These impoverished goblinkin are wearing leather armour because they can't afford anything better and their human rulers forbid them from bearing metal weapons and armor. (This ban doesn't last, but that comes later in the story. . .) Leather armour is a staple of fantasy fiction and roleplaying games, yet many people don't realize just how common it was in medieval warfare. Even knights wore it.
Leather armour goes back to ancient times and continued in use through the Middle Ages and into the Renaissance. This picture shows the shoulder and upper arm portions of an elegant suit of leather dating to the Italian Renaissance, courtesy of the Schola Forum. As you can see, it looks much like regular metal armour, and many historians believe that it was worn as much as or even more than metal armour. A suit of plate was hot and heavy, so on the march or during a friendly tournament the knight may choose to weather cooler leather. The rank and file would also be fitted with leather and perhaps some portions of metal armour for vulnerable places such as the head and chest.
While leather was much cheaper, it provided pretty good protection. Regular soft leather wasn't much help, but combined with quilted padding provided some protection, especially against blunt weapons such as maces.
More effective was cuir bouilli--boiled leather. If you soak leather in water and then place it in boiling water, it becomes elastic and pliable. It soon begins to shrink, thicken, and harden. As it's hardening the leather is hammered onto shaped blocks to create breastplates, greaves, vambraces, and anything else. A full suit of armour could be made in this way. The 14th century French chronicler Jean Froissart claimed that it was "leather that no iron can pierce" and while that may be overstating the case, leather armour certainly gave good protection. Games such as D&D probably undervalue its effectiveness. Modern experiments show that the average sword blow wouldn't get through, although a good English longbow would make short work of a leather breastplate! This basic article (PDF) explains the technique. Also check out this thread from Schola Forum for some more insights and pictures.
The picture below from The Historians' History of the World shows some improvements on leather armour, with overlapping metal scales, discs, and rings. These were all cheaper yet pretty effective alternatives to full plate and variants of these were used from ancient times into the Renaissance.
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Looking for more from Sean McLachlan? He also hangs out on the Civil War Horror blog, where he focuses on Civil War and Wild West history.
You can also find him on his Twitter feed and Facebook page.
You can also find him on his Twitter feed and Facebook page.


